文献
初版年代不詳
1800〜
1840〜
1850〜
1880〜
1890〜
1900〜
1920〜
- The Art of Singing by William Shakespeare
- The Voice on the Breath (息の上の声) by Shakespeare
- The Tongue(舌) by W. Shakespeare
- Placing the voice(声の配置) by W. Shakespeare
- Management of the Breath (息の管理)by W. Shakespeare
- The Jaw, Soft Palate, lips and Face , Eyes(顎、軟口蓋、唇と顔面、目) by W. Shakespeare
- Faulty Production(間違った発声) by Shakespeare
- The Vocal Organs(発声器官) by Shakespeare
- Voice-Force and Intensity of Breath-Pressure(声の力と息の圧力の強さ) by Shakespeare
- The Register of the Voice (声区) by Shakespeare
- Attack and Legato, Tone (起声とレガート、音) by Shakespeare
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Singing by Witherspoon
- Witherspoon, "Singing" Chapter XI
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Witherspoon, “Singing” Chapter XIII
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The Science of Voice by D. Stanley
1930〜
1940〜
1950〜
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The Foundations of Singing. V. The Work of the Air-Compressor
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The Foundations of Singing. VI. The Work of the Vibrator
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The Foundations of Singing. VII. The Work of the Resonator
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The Foundations of Singing. VIII. The Work of the Articulator
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Bel Canto in Its Golden Age
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BEL CANTO IN ITS GOLDEN AGE by Philip A. Duey
1960〜
1970〜
1980〜
1990〜
2000〜
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Respiratory Function in Singing 2
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Respiratory Function in Singing 1
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Respiratory Function in Singing 10
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Respiratory Function in Singing 9
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Respiratory Function in Singing 8
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Respiratory Function in Singing 7
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Respiratory Function in Singing 5
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Respiratory Function in Singing 6
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Respiratory Function in Singing 3
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Respiratory Function in Singing 4
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Singing The First Art
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Preclinical Speech Science(前臨床スピーチサイエンス)第2章 Breathing and Speech Production (呼吸と音声生成)
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TENOR (John Potter)
2010〜
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The Old Italian School of Singing
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REGISTER We Sang Better Chapter13
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We Sung Better Chapter 1
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A SIDE GLANCE ONLY AT BREATHING We Sang Better Chapter3
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MOUTH We Sang Better Chapter 8
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ATTACK We Sang Better Chapter 5
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THROAT We Sang Better Chapter 7
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WE SANG BETTER Vol. 1 HOW WE SANG Vol.2 WHY IT WAS BETTER
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WE SANG BETTER Introduction
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We Sung Better Chapter 2 The Model
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We Sang Better Chapter 4 EASE
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Practical Vocal Acoustics Chapter 7 Mail Passaggio Treaining
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Practical Vocal Acoustics Chapter 8 Perceptions of Turning Over
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Practical Vocal Acoustics Chapter 2 Harmonics Primer
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Practical Vocal Acoustics Chapter 3 Overview of the Changing Theories of Vocal Resonance
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Practical Vocal Acoustics Chapter 9 Pedagogic Implications of Tube Acoustics
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Practical Vocal Acoustics Preface
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Practical Vocal Acoustics Chapter 12 Semantic Differences
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Practical Vocal Acoustics Chapter 4 Formants Primer
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Practical Vocal Acoustics Chapter 11 The Acoustics of Belting
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Practical Vocal Acoustics Chapter 5 Harmonic/Formant Interactions
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Practical Vocal Acoustics Chapter 6 Female/Treble Voice Resonance Strategies
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Practical Vocal Acoustics Chapter 10 Pedagogic Strategies that Encourage Tube Stability and Convergent Resonator
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歌唱のしくみ
- The German School of Singing
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ベルティング再考 Chapter 7 Kinesthetic Voice Pedagogy
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IF IN DOUBT, BREATHE OUT ! 4
©Takanori Yamamoto